By Christine Gerhardt
Dickinson and Whitman built their environmentally suggestive poetics at approximately a similar ancient second, at a time whilst an important shift was once happening in American culture’s view and realizing of the flora and fauna. simply as they have been attaining poetic adulthood, the dominant view of desert used to be starting to shift from difficulty or exploitable source to an endangered treasure short of conservation and preservation.
A position for Humility examines Dickinson’s and Whitman’s poetry along with this significant switch in American environmental conception, exploring the hyperlinks among their poetic tasks in the context of constructing nineteenth-century environmental inspiration. Christine Gerhardt argues that every author's poetry participates during this shift in several yet similar methods, and that their involvement with their culture’s transforming into environmental sensibilities constitutes a big connection among their disparate poetic tasks. there is few direct hyperlinks among Dickinson’s “letter to the realm” and Whitman’s “language experiment,” yet through an internet of environmentally-oriented discourses, their poetry engages in a cultural dialog in regards to the wildlife and the probabilities and boundaries of writing approximately it—a dialog during which their thematic and formal offerings meet on a shocking variety of levels.
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Additional info for A Place for Humility: Whitman, Dickinson, and the Natural World (Iowa Whitman Series)
A Place for Humility: Whitman, Dickinson, and the Natural World (Iowa Whitman Series) by Christine Gerhardt